Four quick observations about the latest Potter film, all changes from the book, and all emphasizing the religious or mythic nature of the story. Spoilers abound.
1) In order to enter Lord Voldemort's cave, Dumbledore makes a blood offering, cutting his hand. Harry, of course, is upset--he would have been happy to give his blood instead. Now, in the book, Dumbledore tells Harry that his (Harry's) blood is "worth more" than Dumbledore's.
In the film, Dumbledore uses more familiar language--Harry's blood is "far more precious." Very slick, and a better hint to the conclusion of the series.
2) After Dumbledore's death, Bellatrix sets the Dark Mark (the skull/snake thing) over Hogwarts (in the book, the Mark is set as a lure for Dumbledore). She then proceeds to trash the Hogwarts Great Hall and even burns down Hagrid's cottage for fun. This called to mind a bit from Final Crisis about the death of the avatar of freedom (Mister Miracle, naturally) signalling the "Victory of Evil"--Dumbledore's death has to be reflected, not only with the Dark Mark, but with the destruction of the heart and soul of Hogwarts as well.
3) The Death Eaters leave Hogwarts through the front door. As they all wear black, the appearance is neatly that of a funeral procession.
4) Finally, the Dark Mark is dispelled by pinpoints of light from the wands of the Hogwarts community. McGonagall, as is appropriate, is the first to raise her wand. The second and third, however, are two fairly minor characters, shown in the next shot--Madam Pomfrey, who minds the Hogwarts infirmary, and Luna Lovegood. In other words, a healer and a believer. The final effect of all the Hogwartsians holding up glowing wands may call to mind a rock concert ("Dude, play One!")...or the Service of Light component of an Easter Vigil Mass, wherein the faithful each hold a candle in absolute darkness to signify the power of the Risen Christ over death itself.
Wednesday, July 15, 2009
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